I guess the reason why reaper doesn't mention how to handle that send/group/younameit thing is because it is so easy. From Kontakt I will then either just let it play (using the Kontakt internal mixer) or send from it to other individual tracks. I put the VST (Kontakt) on the top parent FX and then put child tracks beneath with separate MIDI feeding up to the main instrument. I also use this for multi-channel instruments like Kontakt. ![]() You can also make sub buses with folders, i.e. If you have SWS there is also a nice function to automatically set up a bunch of selected tracks making the first track the bus/parent. Et voila - instant bussing without messing with sends and stuff.Įdit> A quirk of using folder tracks is that the parents always will be located above the children in the tcp and to the left of the children in the mixer. Watch for when the blue line becomes indented, and then release the mouse button. Just create a track that you would like to be the folder track (bus), select all tracks that you would like to bus to that track, and then drag these tracks to below the folder track in the track control panel. Keep in mind that the first track then becomes the parent, and all tracks within the folder will be children to that track. Much quicker and very intuitive when you get the hang of it. However, if you do get too much hum, or your guitar gear just doesn't sound "right," we do happen to stock the most affordable re-amplifier on the market.For regular bussing duties I would advice new users to utilize the folder system instead of using sends. If you've got a track that needs reamping today, go ahead and try one of the options above-it may work just fine. ![]() I'd never advocate putting your music making on hold while you wait for a piece of gear. So, while the reverse DI trick does provide ground isolation, the high ratio of the transformer makes it less than ideal for level and impedance matching.Ĭan I get started reamping without a dedicated re-amplifier?Ībsolutely. ![]() So if your line-level signal for reamping is a standard +4dBu, it will leave the reverse DI at a whopping +25.5dBu! This will clip most guitar pedal and amp inputs. Using it in reverse flips the transformer's ratio, so the DI will step up your signal by 12x. But sometimes it can register as the reamped signal just sounding "not right." A reamp box can prevent this by recreating the typical output impedance of a guitar pickup.Ĭan't I just use a passive DI in reverse?Ī passive DI is a step-down transformer (usually 12:1) that steps an instrument's volume and impedance down to microphone level. Most of the time this has no audible effect. Through the magic of electro-magnetism, the transformer allows signal to pass from the input to the output without a direct connection between their grounds.īut don't take my word for it, here's what the ground lift on the L2A can do:Ī video posted by Peterson Goodwyn on at 11:51am PDTĪdditionally, patching right from pro-audio to guitar gear can cause an impedance mismatch. Connecting the two systems directly creates a path for noisy ground currents to flow into the audio paths.Ī reamp box like the L2A solves this problem by isolating the grounds with a transformer. Pro-audio gear uses balanced connections, while guitar gear is unbalanced. Technically, yes. But you may get a lot of noise. However, we do get a lot of questions along these lines:ĭo I really need a dedicated device to reamp? Haven't people been reamping since before there were reamps?įair questions! The short answer is no, you don't need a dedicated reamp box to start reamping. But for ideal performance in a wide range of situations, you're better off with one.Ĭan't I just connect a cable right from my interface to my amp? By now, it seems like most people are familiar with the process of patching their recording gear into their guitar gear and then re-recording that "reamped" signal. When we first launched the L2A Re-amplifier kit five years ago, I got a lot of emails asking simply, "what is reamping?" A lot's changed since then.
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